project emerged initially from a consideration of the four space-specific sound-performances in Brazil that formed part of http://alpha60.info
, my project for the 2004 São Paulo Bienal. The changes in my own attitude to recorded music were another important factor.
As with previous iterations of this project, a call out for participants was circulated locally. I played in a number of domestic environments in Sligo. I employed fragments of the recordings I made in the installation landscape/projection
anti-tour no. 5 - sligo
was commissioned by The Model, Sligo. This work is discussed in